Totally Nuts: The Editors of ‘Jackass Forever’ Explain Its Ouch! Appeal
It’s Not All About the Kick to the Crotch. […]
It’s Not All About the Kick to the Crotch. […]
The show, which made vivid use of contemporary Los Angeles locations and consistently tackled tough topics, premiered in 2016 and wrapped up last fall after five acclaimed seasons. […]
“It’s this love story between two guys, and that is what hooked me—this relationship we have, and the emotions these guys go through. It hits at the right tones. It’s relevant without being preachy.” […]
For those who work in post-production, the long hours spent poring over dailies, collaborating with directors and producers, and making scenes just so are rewarded when audiences respond appreciatively. […]
Filmmaking is evolving into a parallel editing process. […]
“Severance” doesn’t land directly in the middle of the thriller, comedy, or sci-fi genre, but the series does combine all three. […]
“I hope people can see this and realize this is not a history story, in a way. This is not a story of something that happened 80 years ago that is not happening right now.” […]
In reading works by authors prior to commercial publication, story analyst Donna Choo has the opportunity to flag emerging or underrepresented voices who “just need time to develop” before having their pieces adapted for visual audiences. “I feel like I’m infiltrating in my own way,” she said. […]
When I was growing up, Hollywood felt so far away because the films themselves were so otherworldly. The notion that someone could write and capture these images was mind-blowing to me. […]
By Rob Feld When she was 13 years old in Peru, Sandra Montiel’s uncle, a filmmaker, came to visit her […]
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