How Brian Kates Brought His Journey With Queer Cinema Home to ‘Fire Island’
“It’s unnatural for me to think about my editorial voice, because an editor’s job is to take our stylistic cues from the director and become one with the material.” […]
“It’s unnatural for me to think about my editorial voice, because an editor’s job is to take our stylistic cues from the director and become one with the material.” […]
“When I was a child, I was obsessed with anything animated.” […]
By Rob Feld Vince Gilligan’s “Breaking Bad” and its spinoff, “Better Call Saul” (co-created with Peter Gould), played significant […]
Robert Florio Has Cut 100 Episodes of the Cbs Hit ‘Ncis: Los Angeles.’ ‘I Wish I Had Gotten Into Series Many Years Earlier,’ Says the Onetime Indie-Movie Gofer. […]
“This is what is really satisfying about the film: Your guard is let down by the humor, and you don’t expect that you’re going to have as emotional an experience in the end as you do.” […]
By Patrick Z. McGavin David Leitch’s new action film “Bullet Train” plays like Agatha Christie as reimagined by Quentin […]
“Richard Marks said 40% of the job is editing, and 60% is interpersonal relationships. It’s so true.” […]
“If the performance is fantastic, if the story is being told, why interrupt that with a cut?” […]
By Patrick Z. McGavin Editor Nicholas Monsour is riding the zeitgeist with an ideal collaborator, Jordan Peele, the comic actor […]
“Yellowstone” is a show about land: who it once belonged to, who it belongs to now, who it might one day belong to. […]
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