“I think the best thing is having a vision, because it is animation. We don’t have any guide or source track. We build everything from nothing, literally a blank piece of paper.” […]
“I had worked at a movie theater where I saw hundreds of movies in front of audiences, from the late ’70s to the mid-’80s. I watched them so many times—things like ‘E.T.’—that I could tell you what the audience was going to do.” […]
“I’m a middle-aged, white male editing the Emmett Till story. We talked about that.” […]
“There was a real delicacy with how we wanted to handle everything, so we just had to figure [it] out… We didn’t want to color it in any manipulative way.” […]
“Work hard, be humble, be ready.” […]
“Because of the way I bootstrapped my career, it has been very wide, eclectic and involved many genres.” […]
“It’s unnatural for me to think about my editorial voice, because an editor’s job is to take our stylistic cues from the director and become one with the material.” […]
“When I was a child, I was obsessed with anything animated.” […]
By Rob Feld Vince Gilligan’s “Breaking Bad” and its spinoff, “Better Call Saul” (co-created with Peter Gould), played significant […]
Robert Florio Has Cut 100 Episodes of the Cbs Hit ‘Ncis: Los Angeles.’ ‘I Wish I Had Gotten Into Series Many Years Earlier,’ Says the Onetime Indie-Movie Gofer. […]
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