The Editing Team Behind Ben Stiller’s ‘Severance’ Explains How the Series Spans Genres
“Severance” doesn’t land directly in the middle of the thriller, comedy, or sci-fi genre, but the series does combine all three. […]
“Severance” doesn’t land directly in the middle of the thriller, comedy, or sci-fi genre, but the series does combine all three. […]
“I hope people can see this and realize this is not a history story, in a way. This is not a story of something that happened 80 years ago that is not happening right now.” […]
In reading works by authors prior to commercial publication, story analyst Donna Choo has the opportunity to flag emerging or underrepresented voices who “just need time to develop” before having their pieces adapted for visual audiences. “I feel like I’m infiltrating in my own way,” she said. […]
When I was growing up, Hollywood felt so far away because the films themselves were so otherworldly. The notion that someone could write and capture these images was mind-blowing to me. […]
By Rob Feld When she was 13 years old in Peru, Sandra Montiel’s uncle, a filmmaker, came to visit her […]
How editing taught Lucian Johnston the secrets of ‘Macbeth’ […]
What the ‘Emily in Paris’ editors learned about cutting and comedy […]
During his introduction, ACE president Kevin Tent made pointed reference the Academy’s decision to pre-record the award presentations for eight craft awards, including film editing and sound. Tent called the decision “hurtful, insensitive and short-sighted,” with residual effects that will require bridge-building. […]
How Michael Kahn and Sarah Broshar Edited Steven Spielberg’s ‘West Side Story’ […]
By Rob Feld While studying film at UC Santa Barbara, Andy Jurgensen quickly found editing to be the perfect blend […]
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