
Nicholas Monsour Dissects the Editing in Jordan Peele’s Latest Thriller ‘Nope’
By Patrick Z. McGavin Editor Nicholas Monsour is riding the zeitgeist with an ideal collaborator, Jordan Peele, the comic actor […]
By Patrick Z. McGavin Editor Nicholas Monsour is riding the zeitgeist with an ideal collaborator, Jordan Peele, the comic actor […]
“Yellowstone” is a show about land: who it once belonged to, who it belongs to now, who it might one day belong to. […]
It’s Not All About the Kick to the Crotch. […]
The show, which made vivid use of contemporary Los Angeles locations and consistently tackled tough topics, premiered in 2016 and wrapped up last fall after five acclaimed seasons. […]
“It’s this love story between two guys, and that is what hooked me—this relationship we have, and the emotions these guys go through. It hits at the right tones. It’s relevant without being preachy.” […]
For those who work in post-production, the long hours spent poring over dailies, collaborating with directors and producers, and making scenes just so are rewarded when audiences respond appreciatively. […]
Filmmaking is evolving into a parallel editing process. […]
“Severance” doesn’t land directly in the middle of the thriller, comedy, or sci-fi genre, but the series does combine all three. […]
“I hope people can see this and realize this is not a history story, in a way. This is not a story of something that happened 80 years ago that is not happening right now.” […]
In reading works by authors prior to commercial publication, story analyst Donna Choo has the opportunity to flag emerging or underrepresented voices who “just need time to develop” before having their pieces adapted for visual audiences. “I feel like I’m infiltrating in my own way,” she said. […]
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