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HomePicture Editors

Picture Editors

Web Exclusives

David Heinz and William Hoy Talk About Editing Harrison Ford — and a CGI Dog — in ‘The Call of the Wild’

February 28, 2020

“We were continually changing the picture, changing the scene, because sometimes we didn’t even have two continuous shots together.” […]

Web Exclusives

‘The Thrill Is the Idea:’ Paul Hirsch Reveals the Secrets Behind Editing ‘Star Wars,’ and Writing His New Memoir

December 19, 2019

“This is the most narcissistic thing a person could do.” […]

Features

Pregnant in Post? The Quandary Over Benefits Can Lead to Some Unexpected, and Costly, Hurdles

December 13, 2019

“Having children makes you gutsy,. You don’t put up with a lot of BS because you have a family to consider.” […]

Awards

Oscars 2020: Picture and Sound Editors and Mixers Speak Out on Their Nominations

February 6, 2020

“Many before have said filmmaking takes a village.” […]

Committee News

Cut to Black: Lillian Benson, Picture Editor

February 3, 2020

“The first African-American woman to be inducted into the American Cinema Editors society” […]

Committee News

Cut to Black: Leander Sales, Picture Editor

February 1, 2020

My intro to picture editing was “Do the Right Thing”!” […]

Awards

Cathy Repola and Alan Heim to Receive Top Honors at ACE Eddie Awards

January 9, 2020

The Guild’s two top leaders are honored. […]

Web Exclusives

How Editor Anne McCabe Helped Create ‘A Beautiful Day in the Neighborhood’ with Tom Hanks

December 10, 2019

“The cutting room is a place where you can take time to look at, and think about, what is the crux of the movie and what is really going on here?” […]

Features

Thelma Schoonmaker Talks of Editing, Aging, and Endings in Martin Scorsese’s ‘The Irishman’

December 2, 2019

“You never know what is going to happen when you put two pieces of film together.” […]

Features

Carole Kravetz Aykanian Talks About Editing Steve Carell and Jennifer Aniston in ‘The Morning Show’

December 6, 2019

“The pilot was the foundation. We had to find the tone.” […]

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