Hutshing’s career has certainly come a long way from the time he arrived in Los Angeles after college in 1981 and hustled for work by advertising himself as an “editor for hire” on the bulletin boards at UCLA. […]
Since she discovered her passion for post-production while studying film at the University of California Santa Barbara, there was nothing up in the air about the career choice of Dana Glauberman, A.C.E. […]
Through several TV projects and five feature films, the relationship between editor Dan Lebental, A.C.E., and director Jon Favreau has evolved to the point where Lebental views himself as Favreau’s creative consultant when it comes to helping the director figure out exactly where his movies are going. […]
CineMontage interviewed the two editors as they were finishing work on ‘The Hangover Part III.’ […]
CineMontage spoke with Michael Tronick, A.C.E. as he was finishing work on ‘2 Guns’. […]
Screenwriters aren’t the only ones benefitting from the richness of material now playing on cable television, or streaming from Netflix. The complexity of subject matter and shooting styles, previously the domain of theatrical film, are allowing series editors to stretch their legs as well. […]
When Tatiana S. Riegel, A.C.E., set her mind to become a film editor, she went about it with the methodical planning to be expected from the daughter of an astronomy professor. […]
Cutting It in Hollywood: Top Film Editors Share Their Journeys by Mitchell Danton, ACE Introduction by Michael Kahn, ACE Hollywood […]
To be birthed from the world of director Robert Altman and his legendary editor Geraldine Peroni, ACE, is a unique experience for a young editor. […]
Early Saturday morning, February 25, the line stretched around the block from the American Cinematheque’s Egyptian Theatre to attend the 17th Annual Invisible Art/Visible Artists program presented by the American Cinema Editors (ACE). […]
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