R.K.O. 281: Alex Mackie Encounters the Legend of Citizen Kane
Alex Mackie came to the U.S. from England and joined Local 700 to edit Danny Cannon’s Judge Dredd, she probably had no idea what career trails she was blazing. […]
Alex Mackie came to the U.S. from England and joined Local 700 to edit Danny Cannon’s Judge Dredd, she probably had no idea what career trails she was blazing. […]
The current season’s three picture editors offer their thoughts on all things Soprano. […]
A fireside chat with Dede Allen. […]
Arthur Schmidt described how his approach to editing has varied. […]
Frank Urioste and Peter Honess talk about their films, their careers and the changes they’ve seen in the business.
Farrel Levy and Stan Salfas talk about how a television series is put together, how editing has prepared them to be effective directors and how working in television has made it easier to balance work and family. […]
The real superheroes of these films can be found not only behind the scenes, but below the line. In the editing suites, for instance. […]
“I try to cut every film I do with a fresh eye; I don’t go with a pattern or anything. I just read it, assimilate it and cut it.” – Anne V. Coates […]
each of these groups was struggling with a profound but similar problem––the way technology was changing the jobs of their membership. The solution for many of them was the same: Organize. […]
The results of a survey of Editors Guild members to name their choices for the best edited film of all time, taking into consideration picture, sound and music editing, as well as re-recording mixing […]
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