Since its premiere 60 years ago in September 1948, ‘The Red Shoes’ has been a part of our lives and is the ‘Gone with the Wind’ of dance films. […]
On the Waterfront represented a whole new style of picture-making to me. Filmed on the actual locations, it grabbed its audience and never let go. […]
“I thought this would end fast, and I’m shocked that I’m still doing it.” – Mo Henry […]
Now, after years of field-testing pre-release versions of ACES on selected projects, ACES version 1.0 is finally available as, according to the Academy […]
Just as the show itself tells the story of an organized team of spies, agents and heroes on a mission to protect the world, the editorial mission requires a similarly dedicated team. […]
With the 2018 Oscar winners’ statuettes now proudly on display on their mantlepieces, and the Academy of Motion Picture Arts and Sciences’ surplus carefully stowed away for another year, it’s time to take a look at how the 90th annual awards fit into post-production history. […]
The 2017-2018 Awards Season officially came to a close on Sunday evening, March 4, with the 90th annual Academy Awards ceremony, in which the coveted Oscar statuettes were presented to the winners. […]
The release of Hancock’s current film, Saving Mr. Banks, which tells the tale of the making of Disney’s famous film, Mary Poppins, puts the spotlight on an unlikely pairing in many respects. […]
“Some of my directors definitely say that sitting with me in the editing room is a therapy session… I recommend to editors to go to a therapy session, because I think they would learn a lot about what it’s like to really listen and be able to draw out what a director is thinking and feeling.” – Stephen Mirrione […]
Because of the bifurcated way in which most films and television shows are made, with production and post-production each functioning more or less independently, they seldom have occasion to work together on a one-on-one basis. That does not mean, however, that they do not collaborate. […]
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