Features
The Hyphenate Diaries: Robert Pulcini Edits, Writes and Directs with His Wife
CineMontage recently visited Pulcini in his New York editing suite. […]
Picture Editors
Features
Florentine Editors Came Up Through the Ranks
Picture editors Erik Ewers and Tricia Reidy are an integral part of Florentine Films’ post-production team. […]
Features
Cutting Up in the Workplace: ‘The Office’ Editors Have Too Much Fun on the Job
You don’t find too many editors who work office jobs. David Rogers and Dean Holland do, however. Only their office is ‘The Office’. […]
Features
No Second Guesser: Terry George Likes to Leave Editors Alone
Terry George certainly knows his way around an intense drama. His tales require perfect pitch and rhythm. To maintain that balance, George repeatedly turns to editor Naomi Geraghty. […]
This Quarter in Film History
This Quarter in Film History: Body and Soul
Body and Soul has remained one of the least dated, most influential films since its release 60 years ago. […]
Features
Francis Ford Coppola & Walter Murch Reunite for ‘Youth Without Youth’
CineMontage recently spoke to Francis Ford Coppola and Walter Murch in separate interviews. […]
Features
Two Emotions at Once: A Novel Approach to Film Editing
An excerpt from Rachel Cline’s novel ‘My Liar.’ […]
Features
Video Savant: Jeff Buchanan’s Fast-Forward to Features
Jeff Buchanan’s path to editing his first feature film, director Michel Gondry’s ‘Be Kind Rewind’ has been an unconventional one, skipping some of the usual stops along the way. […]
Features
‘Twilight’s’ First Gleaming
Like the Undead that it depicts, the vampire movie never really expires––or even goes away. It just keeps resurrecting itself in new stories for another generation. This season’s blood-sucking entry, geared to teens and young adults, is Twilight […]
Features
A Different View To a Kill
Cinemontage sits down with director, Marc Foster. […]
