In the early 1960s, when he first met director Karel Reisz, editor John Bloom already knew his way around a cutting room. By then, the London-born editor had risen through the ranks as an assistant editor to cut several films solo. […]
The American Cinema Editors (ACE) have announced nominations for the 68th Annual ACE Eddie Awards, recognizing outstanding editing in ten categories of film, television and documentaries. […]
Picture editor Maryann Brandon, ACE, and sound editor/sound designer/re-recording mixer Ai-Ling Lee have accepted invitations to join the Science and Technology Council of the Academy of Motion Picture Arts and Sciences. […]
“I try to make creative choices that will align as closely as possible with the writer’s and director’s intentions, trusting my instincts and personal tastes as my guiding principles.” […]
Introducing the program, ACE President Stephen Rivkin welcomed the audience and announced that for the first time, EditFest LA was being streamed online. […]
The acclaimed web series “Transparent,” created by producer/writer/director Jill Soloway (“Six Feet Under,” 2001-05, and “United States of Tara,” 2009-11), has made waves on television and in the LGBTQ community. […]
“Lillian Benson is one of the most gifted, resourceful and dedicated editors with whom I have had the privilege to work,” said Debbie Allen. “From Eyes on the Prize II to The Hot Chocolate Nutcracker, her talent has enriched every project.” […]
The panel featured two picture editors whose credits include some of the most popular animation/stop motion films of recent times: Jeff Draheim, ACE, and Edie Ichioka, ACE. […]
Two decades ago, Steve Jobs famously took back his company. Part of the legend goes that when he came back to Apple Computers (now just Apple) he drew on a white board a grid of four quadrants. […]
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