Audio Gets Its Starring Role
‘Sound for Digital Video’ provides a valuable overview for those planning to enter the audio-for-video production business. […]
‘Sound for Digital Video’ provides a valuable overview for those planning to enter the audio-for-video production business. […]
I have been a re-recording mixer for 33 years, and the idea of turning a production track into a full, complete and seamless sound track — that hopefully enhances and advances the project — still fascinates and excites me. […]
The many people who create sound,are likewise invisible to the public — even as their contributions are central to making onscreen worlds. They too are part of the occult magic of cinema. […]
Almost 25 years after its premiere, GoodFellas (1990) is still a shocking movie about organized crime. […]
When sound designer/supervising sound editor Dane A. Davis, MPSE, attended the audience preview for The Matrix (1999), he — as well as directors Andy and Lana Wachowski (then known as the Wachowski Brothers) — had no idea what to expect. […]
Steven Soderbergh and Larry Blake have been making movies together since the start of their professional lives. […]
Francis Ford Coppola’s Apocalypse Now (1979) opens with a bang that befits its subject: the Vietnam War. […]
by Kurt Kassulke, CAS Growing up in Minnesota, I was the son of a doctor mom and stepdad, and a […]
As the Motion Picture Editors Guild enters its 80th anniversary year, it’s important to recognize that 2017 also marks the 90th anniversary of the commercial ascendance of motion pictures with synchronized sound, which were called “talkies.” […]
The title of Lawrence Weschler’s book, “Waves Passing in the Night: Walter Murch in the Land of the Astrophysicists,” is complex and slightly mysterious, fitting for an exploration into the mind of legendary picture editor, sound designer, sound editor, re-recording mixer, writer and director Walter Murch, ACE, CAS, MPSE. […]
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