Sonic Synchronicity: Sound Editors Collaborate with Production Mixers
There are many instances when the partnership between these essential roles can bring an enhanced level of creativity to the final result.
There are many instances when the partnership between these essential roles can bring an enhanced level of creativity to the final result.
Realizing a complex film or TV soundtrack takes a lot of care and attention, together with an advanced degree of collaboration between sound effects editors and re-recording mixers specializing in the same. […]
HBO’s highly popular Game of Thrones TV series has demonstrated that audiences will tune in regularly for well-fashioned drama that incorporates outstanding post-production. […]
In 1973, the tennis court became an unlikely showcase for the heated battle of feminists and their foes. Bobby Riggs, a top tennis player in the 1940s and showman extraordinaire, challenged top female tennis players to try to beat him on the court. […]
A fireside chat with Dede Allen. […]
In this conversation, re-recording mixers Larry Blake, Michael Minkler, and Myron Nettinga as well as supervising sound editor Mark Mangini, offer sharply differing views about the future of sound post production and why they work the way they do. […]
Sound editor and mixer Larry Blake, supervising sound editor Mark Mangini, and re-recording mixers Michael Minkler and Myron Nettinga talk frankly about the blending of sound mixing and sound editing. […]
Letters regarding our articles on sound editing history as well as our political content. […]
Some essential words are offered about cutting room etiquette and potential traps for the dialogue editor. […]
Sound effects have been Peter’s life. […]
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