The Academy of Motion Picture Arts and Sciences’ list of nominees for the 2018 Oscars. In the sound editing category, nominations went to the teams behind ‘Baby Driver,’ ‘Blade Runner 2049,’ Dunkirk, ‘Star Wars: The Last Jedi’ […]
“Our original idea for ‘Philip K. Dick’s Electric Dreams’ originated five years ago, when we discussed the idea of an anthology series of the author’s short stories with diverse points of view” […]
he Academy of Motion Picture Arts and Sciences announced the nominations for the 2018 Academy Awards. […]
Picture editor Maryann Brandon, ACE, and sound editor/sound designer/re-recording mixer Ai-Ling Lee have accepted invitations to join the Science and Technology Council of the Academy of Motion Picture Arts and Sciences. […]
As on previous occasions, Mix magazine’s fourth annual Sound for Film & TV conference was held at Sony Pictures Studios in Culver City in cooperation with the Cinema Audio Society (CAS) and Motion Picture Sound Editors (MPSE). […]
The eponymous hero of ‘Baby Driver,’ played by Ansel Elgort, is forced to work for a veteran kingpin in exchange for the start of a better life. […]
Listening to singer-songwriter Halsey’s new single, “Not Afraid Anymore,” as it pulsates through a fresh Dolby Atmos mix on a stage at Universal Studios in the company of music editors Angie Rubin, MPSE, and Bill Abbott can be a bit of an unsettling experience. […]
Over the past decade, production sound mixer Chris Newman, CAS — who has been something of a mentor to me during my whole career — has been retired from working on the set and has been teaching a production sound recording class at the School of Visual Arts in New York. […]
On January 24, the Academy of Motion Picture Arts and Sciences revealed its list of nominees for the 2017 Oscars. The sound editing teams behind Arrival, Deepwater Horizon, Hacksaw Ridge, La La Land, and Sully were all nominated. CineMontage spoke to these sound editors about the challenges and highlights of working on their respective movies. […]
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