Sound - - Page 3

How One Company Is Helping Find Remote Work Solutions for Post-Production

February 10, 2023

There certainly have been growing pains in the transition to remote editing, but it’s becoming easier to embrace this workflow as the process evolves. […]

Mike James Gallagher and Anthony Vanchure Talk Sound on the Al Yankovic Biopic ‘Weird’

December 16, 2022

“I was just searching for accordions in my library.”
[…]

Scott Gershin on Finding the Right Sounds for Guillermo del Toro’s ‘Pinocchio’

December 22, 2022

“What I found challenging and what required a journey was to find the sound of Pinocchio. Let’s start with wood, so you bang pieces of wood together and you go, ‘Well that doesn’t work.'” […]

MIX Sound Conference: In-Person Panelists Talk Workflow, Effects and Latest Dubstage Tech

September 30, 2022

The keynote panel addressed the topic of pivotal sound changes within the post community, including the rise of streaming services, emergent technologies and formats, plus evolution of the sound designer/re-recording mixer. […]

As ‘Better Call Saul’ Calls It Quits, Skip Macdonald and Nick Forshager Talk Post-Production

August 17, 2022

By Rob Feld Vince Gilligan’s “Breaking Bad” and its spinoff, “Better Call Saul” (co-created with Peter Gould), played significant […]

Bob Bronow, Unscripted TV Sound Wiz, Says This Audio Tool Has Revolutionized His Work From Home

August 3, 2022

“If I can make people watching it nervous and just a little uncomfortable, that could be something really cool.” […]

TECHNOLOGY: How AI Is Expanding Choices for Voice and Dialogue Manipulation

August 3, 2022

Ai is expanding choices for voice and dialogue manipulation in post-production. But what are the risks? […]

Rahul Das, left, Terel Gibson, Kaitlyn Hollingsworth Hecker, Tim Roche, James Gadd, Rosanne Tan, Caroline Wang.

How the Post-Production Team for ‘Hawkeye,’ the Latest Marvel Epic, Hit the Target

June 16, 2022

For those who work in post-production, the long hours spent poring over dailies, collaborating with directors and producers, and making scenes just so are rewarded when audiences respond appreciatively. […]