Once again, in what has become a trend at recent Oscars, the awards in all three post-production categories were swept by the same film, in this year’s case ‘Bohemian Rhapsody,’ the biopic of the British rock band Queen and its charismatic lead singer, Freddie Mercury. […]
by Mel Lambert • portraits by Martin Cohen Inspired by the Sabrina the Teenage Witch comic book series from Archie Comics […]
“I discovered audio post while in school for audio engineering. Having always loved film, it seemed like a perfect fit artistically and, to be honest, a good way to make a living.” […]
Taking a cue from Netflix, Amazon and other media providers, DC Entertainment and Warner Bros. Digital Networks last year unveiled DC Universe, a video-on-demand service that will include original TV programming, access to select animated series and films from an extensive back catalog. […]
As a rare Japanese sound editor here, I hope I will survive in this industry with few female sound editors in general and even fewer female SFX editors. […]
I’ve tried out a lot of Digital Audio Workstations (DAWs) for music production over the years. The first one I sunk my teeth into was Cubase but, along the way, I’ve bumped into others, each with its own cadre of devotees. […]
“Developing a soundtrack is a collaborative process, from the spotting session to the dub stage,” stressed Oscar–nominated sound designer, supervising sound editor and re-recording mixer Ai-Ling Lee, CAS. […]
During its heyday from 1940 to 1946, hundreds of Soundie reels, each holding eight films, were circulated to roughly 3,500 Panorams located throughout the United States. […]
Meyerson momentarily stopped thinking of scores like songs for one of his most personally significant projects: writer-director Terrence Malick’s World War II drama ‘The Thin Red Line,’ released by 20th Century Fox in December 1998. […]
The Academy of Motion Picture Arts and Sciences has extended invitations to join the organization to 928 artists and executives from 59 countries — including 37 Editors Guild members in good standing — who have distinguished themselves by their contributions to theatrical motion pictures […]
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