Editing on the ‘Fringe’ New Series Offers More Storytelling Time
CineMontage recently sat down with the trio of Fringe editors––Jon Dudkowski, Tanya Swerling and Scott Vickrey, A.C.E.––to discuss their work. […]
CineMontage recently sat down with the trio of Fringe editors––Jon Dudkowski, Tanya Swerling and Scott Vickrey, A.C.E.––to discuss their work. […]
’24’ is a sterling example of collaboration in action. […]
An interview with HBO documentary editor Geof Bartz […]
CineMontage spoke to half a dozen editors working on this season’s leading episodic dramas, and reality shows to find out what their challenges are. […]
Editor Li-Shin Yu has become an expert on the American experience. […]
You don’t find too many editors who work office jobs. David Rogers and Dean Holland do, however. Only their office is ‘The Office’. […]
While Technical Directors are still looked to for crew leadership and a smooth-running show, changes are coming furiously.
The universe of the USS Enterprise was alive with sound, Much of that was due to the singular vision of writer/producer Gene Roddenberry, along with the inventiveness of Douglas H. Grindstaff, who served as the show’s supervising sound effects editor for the entire 80-episode run. […]
Although these occurrences are far from commonplace, they are testament to the talent of these assistants-turned-editors. […]
Just as the show itself tells the story of an organized team of spies, agents and heroes on a mission to protect the world, the editorial mission requires a similarly dedicated team. […]
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