Realizing a complex film or TV soundtrack takes a lot of care and attention, together with an advanced degree of collaboration between sound effects editors and re-recording mixers specializing in the same. […]
“Behold Kunta Kinte.” If those words ring a bell, you were around for Roots, one of the most forward-thinking and groundbreaking events in the history of television. […]
When I passed the mark of 100 episodes edited on a single, one-hour show, NCIS, last September, my curiosity got the best of me. I wondered how many others had crossed this mark as well, so I had to do some digging. […]
HBO’s highly popular Game of Thrones TV series has demonstrated that audiences will tune in regularly for well-fashioned drama that incorporates outstanding post-production. […]
Acclaimed writer-producer David Simon’s production company has delivered multiple hit series for cable television, most recently for HBO. During that time, he has built a team of picture editors who have been working together for over a decade. […]
Alex Mackie came to the U.S. from England and joined Local 700 to edit Danny Cannon’s Judge Dredd, she probably had no idea what career trails she was blazing. […]
The current season’s three picture editors offer their thoughts on all things Soprano. […]
Farrel Levy and Stan Salfas talk about how a television series is put together, how editing has prepared them to be effective directors and how working in television has made it easier to balance work and family. […]
Russ Denove spoke to CineMontage briefly and reflected on editing the ‘Fringe’ pilot. […]
CineMontage recently sat down with the trio of Fringe editors––Jon Dudkowski, Tanya Swerling and Scott Vickrey, A.C.E.––to discuss their work. […]
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