Web Exclusives
Jamie Kennedy Talks about Editing Amazon’s ‘The Summer I Turned Pretty’
“I think my passion shone through and that’s how I wound up working on Season One.” […]
Television
Web Exclusives
Franklin Peterson and Chloe Domont Talk Editing on Netflix Thriller ‘Fair Play’
“This is one of those things where you read it and it just works in a number of ways.” […]
Web Exclusives
Picture Editors of ‘Fatal Attraction’ on Updating a Classic Thriller for Modern Times
“Here was this grand opportunity to work with a majority female crew in terms of the top positions: majority female directors, a female showrunner, and majority women in post.” […]
Web Exclusives
Three-Time Emmy Nominee Angel Gamboa Bryant On Editing Comedy for Wanda Sykes, Mel Brooks
By Kristin Marguerite Doidge Growing up as a first-generation Mexican-American, Angel Gamboa Bryant thought she might have a career […]
Features
WHAT OUR MEMBERS DO: Priscilla Zambrano, Assistant Editor
Everything in this industry is about collaboration, and part of my job is to make sure that my editor’s day goes as smoothly as possible. […]
Web Exclusives
Susan E. Kim Talks Editing the World War II Historical Drama ‘A Small Light’
“When I read the pilot script, I was struck by how important it is that we understand the story is still relevant today.” […]
Web Exclusives
Not ‘a Wacky Rom-Com’: Josh Beal Talks Editing ‘Fleishman Is in Trouble’
“I’ve always loved cutting arguments between couples, or arguments in general.” […]
Cover Story
From ‘Renfield’ to ‘Perry Mason’: The Creative Journeys of Editor Mako Kamitsuna
‘It’s all about making this movie fly, transform and transport audiences.’ […]
Web Exclusives
Editors of ‘The Last Thing He Told Me’ Tell All in Cutting Jennifer Garner’s Apple TV+ Series
“It’s a story of a stepmom and a stepdaughter bonding. They’re totally unbonded at the beginning and they need to be a family by the end. That’s what I connected to.” […]
Features
Road Warriors: How the Editing Team of ‘Beef’ Delved Into Identity, Conflict — and Karaoke
“I started to recognize that this was a portrait of Korean Americans and Asian Americans in general that we hadn’t seen before.” […]
