Featured Stories
He Loves L.A.: Dan Rovetto on His Editing Journey from Unscripted TV to ‘Suits LA’
By Kristin Marguerite Doidge Even though picture editor Dan Rovetto, ACE, grew up in New Jersey—and got his start […]
Unscripted Television
Web Exclusives
How the Post Team of Netflix’s Reality Competition Series ‘The Circle’ Pushed Boundaries of Time and Space
The popular Netflix social media competition series was previously being shot and edited in the U.K., but recently came to the U.S. for seasons six and seven (the latter yet to be aired) under an IATSE contract – a huge win for the talented team of editors working on the show. […]
Features
The Editors Behind ‘The Masked Singer’ Can’t Disguise Their Passion for the Unscripted Hit
“It’s a show that requires many elements, from graphics to sound design, and since the schedule is a bit tight from the recording moment to air day, the editors of the main show are divided between even and odd episodes. But as the weeks go by, we become one team.” […]
Web Exclusives
WHAT OUR MEMBERS DO: Shiran Carolyn Amir, ACE, Picture Editor
“I’m a film and TV editor with experience in drama, horror, action and comedy.” […]
Cover Story
Reality Check: New Unscripted Workers Peer Group Boosts Connection and Support
“Our events have been a great way for us to increase engagement with our membership as well as reach people who aren’t yet in the union and still have questions.” […]
Features
Fancy Footwork: How Post-Production Helped Reinvent ‘Dancing With the Stars’
Last fall, in a sign of the times for streaming entertainment, “Dancing with the Stars” moved to Disney+. The show continued to stream live on Monday nights for the duration of its 31st season, in a first for Disney+. It was also first for a major broadcast show to move to a streamer for live worldwide streaming without ads. […]
Getting Organized
Getting Organized: Yes, Shows Can Be Organized Even During a Global Pandemic
Like a lot of our members who have had employment during the pandemic, Editors Guild staff members have been working from home. […]
Web Exclusives
EditFest 2019: Here’s the Real Difference Between Cutting Scripted and Unscripted. (Hint: There Isn’t One.)
“There’s a misperception that if you cut scripted, you can’t cut reality.” […]
Features
Outwit, Outplay, Out-cut: How the Editing Team Has Kept the ‘Survivor’ Tribe Together Through 40 Seasons
The challenge for editors is how to present the material in the most appealing way. […]
Committee News
Empathy for Showrunners? Yes, and Much More at MPEG’s Workshop for Newly Promoted Assistant Editors
“You have to work your courage muscle to develop a sense of self-confidence.” […]
