The vault is the very first department through which each media asset goes. My job is to make sure that each asset is assigned a unique barcode number and that every single detail is entered into our inventory system for all tracking purposes. […]
CineMontage reviews the highlights of the 68th Quadrennial IATSE Convention […]
My job is to dance with footage and strike a pose or two in the routine; I find the best moment, rhythm, angle in the footage. […]
“I log and transcribe reality footage and interviews in real time. When I am logging footage, I am typing detailed descriptions of the scenes and noting what is important. When I am transcrib- ing, I am typing what is said in the interviews word for word.” […]
I’ve worked in NBC’s News Film Archive since 2005. I work freelance, which gives me a nicer contract with a better pay rate, and I still have the MPI health and pension plans. I’m a film librarian and, since 2015, I have been the “chief.” […]
The Guild’s Asian-American Steering Committee hosted a traditional brunch and panel discussion by distinguished group of Asian-heritage union members. […]
By a vote of 89%, employees of Deluxe Technicolor Digital Cinema have overwhelmingly ratified their first union contract.
The three-year agreement between the company and the Motion Picture Editors Guild covers technicians responsible […]
Employees of Deluxe Technicolor Digital Cinema (DTDC) have voted overwhelmingly to unionize with the International Alliance of Theatrical Stage Employees (IATSE) and the Editors Guild! […]
The delegation of nearly twenty employees delivered a petition from the company’s roughly seventy unionized employees, calling upon their employer to negotiate in good faith to bring wage rates in line with industry standards. […]
The editorial employees of Nickelodeon Animation Studio have overwhelmingly elected to unionize with the Motion Picture Editors Guild, Local 700 of the International Alliance of Theatrical Stage Employees (IATSE). […]
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