In a strong display of solidarity, a record number of Motion Picture Editors Guild members attended Special Membership Meetings in Los Angeles, New York and Marin County to discuss contract negotiations. […]
There are a lot of reasons why creative media professionals require a display on their desks that is capable of representing highly accurate colors. To start, animators must be confident that color choices will result in final renders that look how they expect them to look. […]
On a Saturday in late June, over 40 women members gathered at the Guild’s LA headquarters for a roundtable entitled “#MomsToo.” Amy Adrion, who directed “Half the Picture” (2018), which “celebrates the groundbreaking work of female film directors and investigates the systemic discrimination” against women in Hollywood, was also in attendance. […]
Nominations for the 70th Emmy Awards were announced on Thursday morning, July 12 by the Television Academy. The Editors Guild congratulates all of its members who received nominations. […]
There are not many name directors who are active members of the Motion Picture Editors Guild and still edit. Two-time Oscar nominee Gus Van Sant is one of them. He is back in the editing chair again to co-edit his latest film, “Don’t Worry, He Won’t Get Far on Foot.” […]
During the last week of June, the Editors Guild Diversity Committee’s African-American Steering Committee hosted “The Art of Negotiation,” an eye-opening panel to show how agents serve below-the-line talent as well as those above the line. […]
Meyerson momentarily stopped thinking of scores like songs for one of his most personally significant projects: writer-director Terrence Malick’s World War II drama ‘The Thin Red Line,’ released by 20th Century Fox in December 1998. […]
My primary job is to identify and “tag” an asset into our tracking system to be able to quickly retrieve that item in the future. We consistently field department requests to retrieve their previously created content. […]
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