“As you rise up the ladder, remember to support those below you, making sure they are taken care of, and to appreciate those above you who have your back and take care of you.” […]
“I think the best thing is having a vision, because it is animation. We don’t have any guide or source track. We build everything from nothing, literally a blank piece of paper.” […]
“I had worked at a movie theater where I saw hundreds of movies in front of audiences, from the late ’70s to the mid-’80s. I watched them so many times—things like ‘E.T.’—that I could tell you what the audience was going to do.” […]
“After I took my first editing class, I was hooked. It’s funny, because I remember thinking I would never be an editor because it seemed too hard — but once I tried it, I had a lot of fun and wanted to continue learning.” […]
“I’m a middle-aged, white male editing the Emmett Till story. We talked about that.” […]
“There was a real delicacy with how we wanted to handle everything, so we just had to figure [it] out… We didn’t want to color it in any manipulative way.” […]
“Work hard, be humble, be ready.” […]
The keynote panel addressed the topic of pivotal sound changes within the post community, including the rise of streaming services, emergent technologies and formats, plus evolution of the sound designer/re-recording mixer. […]
New WSC Co-chairs Diana Fishman and Aimee Jennings organized a long-planned “picture day” brunch for members to get together in Los Angeles for new professional headshots (photographed by fellow Guild member Kaylee Colton) and networking in a relaxing and supportive environment. […]
“Because of the way I bootstrapped my career, it has been very wide, eclectic and involved many genres.” […]
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