“Over the course of four films with Terry Malick, I spent a lot of time in Austin. To say we were ‘bunkered down’ during the editing process is probably an understatement.” […]
“Allyson is an extraordinary film editor with the most marvelous sense of musical rhythm that permeates her entire process of cutting and shaping motion picture,” says Mira Nair. […]
After “Sully,” Murray cut “The 15:17 to Paris” for Eastwood, “Glass” for M. Night Shyamalan, and recently finished “The Water Man” for actor-cum-director David Oyelowo. […]
“I did an edit without his input and sent it to him at his home in Russia. Though he didn’t say so at the time, he hated it.” […]
“It was complicated because of Tekashi69’s strained personal relationships and the fact that there were pending legal proceedings, and sentencing hadn’t played out yet.” […]
by Rob Feld Tracey Wadmore-Smith and Shayar Bhansali are a testament to the power of mentorship in editing. What began […]
“All I want from a director is trust. Without that, there isn’t the foundation for a mutual relationship that allows you to be creative.” […]
Hannam cut “The Nest,” starring Jude Law as Rory, a charismatic 1980s entrepreneur who relocates his wife and children from suburban America to his native England. […]
It’s one of the best-reviewed series of the year since its January premiere, with a 94% “fresh” rating on the review aggregation site Rotten Tomatoes. […]
“The writers want it to feel like real life,” one editor says of the Netflix wrestling comedy. […]
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