Hollywood’s business is the merchandising and recycling of myth — especially the myth of the tragic Hollywood star (Judy Garland, Marilyn Monroe, Elvis Presley, etc.) in biopic or documentary form. […]
When sound designer/supervising sound editor Dane A. Davis, MPSE, attended the audience preview for The Matrix (1999), he — as well as directors Andy and Lana Wachowski (then known as the Wachowski Brothers) — had no idea what to expect. […]
Almost everyone in the business has heard the statistics: Only 10 percent of films made between 1910 and 1920 still exist; 20 percent of the films made in the 1920s survive […]
In our family, movies were special events because most of our entertainment came from television. So I don’t remember seeing a lot of films, but there is one that holds a very special place in my heart. […]
Shortly after graduating film school, I saw the motion picture City of God (Cidade de Deus) in a small art house theatre. I remember thinking to myself, “This is one of the best movies I have ever seen.” […]
The film touched Carol’s heart because its characters and events were recognizable to her family. […]
The editor described the first part of the picture as “quite humorous at times,” which would have helped audiences accept the tragedy of the second half. […]
One century ago, on February 8, 1915, David Wark Griffith’s ‘The Birth of a Nation’ premiered under its original title, The Clansman, at Clune’s Auditorium in Los Angeles. […]
As an inquisitive kid growing up in rural northwest Georgia, I was always looking for ways to keep from being bored — reading, watching TV or going to the movies. […]
When nonlinear editing systems first appeared nearly 25 years ago, a lot of people scratched their heads. Who could edit with a picture you could barely see and a hard drive that couldn’t hold even a reel of images, on a new-fangled personal computer that was likely to crash? […]
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