As the Motion Picture Editors Guild enters its 80th anniversary year, it’s important to recognize that 2017 also marks the 90th anniversary of the commercial ascendance of motion pictures with synchronized sound, which were called “talkies.” […]
In the countless comedies he has written, directed and starred in during his 50-year career, Woody Allen comes across as a chatterbox. His on-screen persona is forever opining, grousing or whining about one thing or another. […]
The differences in style between a UK unscripted TV show and its US genre equivalent is akin to swapping the frosty drizzle of London for the mid-winter sunshine of California. […]
Director Gregory La Cava introduced moviegoers to a host of energetic young women living together in a theatrical boarding house, struggling for survival and stardom on the New York stage, when his “Stage Door” premiered in San Francisco 80 years ago, on October 6, 1937. […]
In 1988, I was an ill-adjusted Polish kid who moved with his mother and our two dogs to a rough Boston neighborhood — Dorchester. My English was OK. A year later, I saw my favorite movie, and although I don’t remember every detail of that day, I do remember it changed my life. […]
We all want to be the hero of our own story. Such a wish is at the center of director Stephen Frears’ 1992 film ‘Hero.’ […]
Steve Hullfish knows how to talk with editors. In addition to writing five previous books (all published by Focal Press), including The Art and Technology of Digital Color Correction and Avid Uncut, he has extensive post-production credits in both television and film. […]
MGM’s The Dirty Dozen, directed by Robert Aldrich, had its world premiere at Loew’s Capitol Theatre on Broadway in New York City 50 years ago, on June 15, 1967. Based on the novel by E.M. Nathanson, it depicts 12 court-martialed American soldiers sentenced to death or long-term prison sentences. […]
It all started when I was four years old. I was being forced against my will to eat the most vile of all beans, the dreaded lima. In protest, I made a film starring my cabbage patch dolls to illustrate the grossness of the bean. Okay, you might ask, how does a four-year-old make a movie? With her father as camera operator, of course! I lined up the dolls, instructed my dad to set up our trusty VHS camera, and told him to start rolling. […]
For four years in the mid-1990s, Julie Anne Lau counted among her collaborators a frog prone to singing and dancing, a conspiratorial-minded duck and a wascally wabbit. […]
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