In late January, the LGBTQ Steering Committee presented a discussion at the Guild entitled “Working It Out: Being LGBTQ in Post-Production.” About 30 members participated and, even for a Diversity Committee event, the group was…well, diverse. […]
On March 23, 2019, the Motion Picture Editors Guild’s Women’s Steering Committee organized an evening celebration in the Guild’s Dede Allen Seminar Room honoring Women’s History Month. […]
As part of the IATSE union, the Editors Guild is fortunate to have plentiful resources to offer many benefits for our membership. These include training, seminars, mixers and screenings, to name a few. […]
Greetings from the middle of Awards Season 2018-2019. […]
David Arnold Sound Editor (September 20, 1959 – December 17, 2018) 32 years a member Charles Bruce Re-Recording Mixer (November […]
Gregg Rudloff was a true friend and colleague of both Local 700 and me personally. He cut a wide path through post-production, working with many people. Everywhere he went, he made friends. […]
Revered film editor Richard Marks, ACE, whose best known works include Serpico (1973), Apocalypse Now (1979) and You’ve Got Mail (1998), died on December 31. He was 75. […]
David Arnold passed away peacefully in his sleep after a six-year battle with a traumatic brain injury from a motorcycle accident. He was 59 and is survived by his loving wife Kathy, children Edward and Kaitlyn, mother Roberta, sister and brother-in-law Georgette and Daniel Lavery, sister Laura, and nieces and nephews. […]
Motion capture, or MoCap, is the technique of capturing a human actor’s physical performance and applying the captured data to a 3D computer-generated character so that it moves in the same convincing, life-like manner. […]
by Rob Callahan Last June, my column in these pages invoked the cinematic trope of the cliffhanger to describe a […]
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