Passages

John Patrick Wolfenden

John Patrick Wolfenden, beloved and loving husband, father, son and brother, passed away on June 23 at the age of 45. He is survived by his wife of 19 years, Suzanne Zizzi, their daughters Shea and Maeve (14 and 12), his parents Anita and Richard, and his brother Peter. […]

Passages

Jim Faris

Arriving in Los Angeles in 1943, he began his career in Hollywood working on Gaslight and ‘National Velvet’ at MGM. In 1947, he moved to the cartoon department, where he edited ‘Tom and Jerry’ and other cartoons […]

No Picture
Departments

IN MEMORIAM

Robert Braverman Picture Editor (January 28, 1930  – January 15, 2016) 58 years a member Ronald Brilhante Service Recorder (December […]

Departments

John Marshall Fuller

John Marshall Fuller, Sr. passed away on February 16, 2016 at the age of 61. John was raised in the small town of Greenlawn, New York, located on the North Shore of Long Island. […]

Departments

Danford B. Greene

Danford B. Greene, editor of such films as Mel Brooks’ Blazing Saddles and Robert Altman’s M*A*S*H, among others, was an avid sportsman who had more nicknames than you could shake a golf club at […]

Departments

Claude A. “C.A.” Shumaker, Jr.

Claude A. “C.A.” Shumaker, Jr. passed away suddenly on June 15, 2015, at the age of 79. Born in Missouri, C.A.’s family relocated to Southern California, where, in addition to his profession as a film technician, he pursued a lifelong love of travel and adventure. […]

Guild

MPEG Breaks the Ice on Diversity

On a Sunday morning in mid-September the Dede Allen Seminar Room at the Motion Picture Editors Guild’s Los Angeles offices was the setting for Break the Ice, the first roundtable discussion meeting open to the Guild membership, organized by the Guild’s Diversity Committee. […]

Departments

The VFX Factor

An informative panel discussing the workflow for visual effects in the editing suite, as part of the ongoing “Partnerships in the Editing Room” seminar series, which examine editorial workflow in television and the relationships of the editorial department and post producers. […]