Features
Ken Eluto On Editing the Crazy Family Dynamics On HBO’s ‘Succession’
“The main secrets are in the writing and the extremely talented cast.” […]
Features
Features
Why Is It Called ‘Foley’ Artist, Anyway?
It was the late 1920s and Jack Foley was a producer, director and writer working at Universal Pictures at its old location on Ventura Boulevard in the San Fernando Valley. […]
Features
Bringing the Funny for ‘Mrs. Maisel’
The heroine of Amazon’s stylish comedy “The Marvelous Mrs. Maisel” has a talented support team in post-production. […]
Features
How They Make ‘Stranger Things’
You don’t have to be a rabid consumer of 1980s-era popular culture to work on the Netflix science-fiction series “Stranger Things.” But it doesn’t hurt. […]
Features
‘Little America’ Uncovered
It’s one of the best-reviewed series of the year since its January premiere, with a 94% “fresh” rating on the review aggregation site Rotten Tomatoes. […]
Features
‘Westworld’s’ COVID plot twist
How a post-production team of 30 stayed healthy and got “Westworld” on the air from home. […]
Cover Story
Picture Editor Shannon Baker Davis on Work, Family, and Editing Universal’s ‘The Photograph’
Shannon Baker Davis, ACE, has come a long way from Georgia. The picture editor moved to Hollywood after college and […]
Features
Behind the Scenes with the Editing Team of ABC’s ‘How to Get Away with Murder’
“I really rely on my editors to have a story brain and to be co-writers with me.” […]
Features
Nat Sanders on Editing ‘Just Mercy’: Lost Sleep and a Delayed Honeymoon to Tell an ‘Emotional and Raw’ Tale
“I lost the most sleep and had the most revelations in the shower while working on this film.” […]
Features
Outwit, Outplay, Out-cut: How the Editing Team Has Kept the ‘Survivor’ Tribe Together Through 40 Seasons
The challenge for editors is how to present the material in the most appealing way. […]
