Features
‘Little America’ Uncovered
It’s one of the best-reviewed series of the year since its January premiere, with a 94% “fresh” rating on the review aggregation site Rotten Tomatoes.
Features
Features
‘Westworld’s’ COVID plot twist
How a post-production team of 30 stayed healthy and got “Westworld” on the air from home.
Cover Story
Picture Editor Shannon Baker Davis on Work, Family, and Editing Universal’s ‘The Photograph’
Shannon Baker Davis, ACE, has come a long way from Georgia. The picture editor moved to Hollywood after college and […]
Features
Behind the Scenes with the Editing Team of ABC’s ‘How to Get Away with Murder’
“I really rely on my editors to have a story brain and to be co-writers with me.”
Features
Nat Sanders on Editing ‘Just Mercy’: Lost Sleep and a Delayed Honeymoon to Tell an ‘Emotional and Raw’ Tale
“I lost the most sleep and had the most revelations in the shower while working on this film.”
Features
Outwit, Outplay, Out-cut: How the Editing Team Has Kept the ‘Survivor’ Tribe Together Through 40 Seasons
The challenge for editors is how to present the material in the most appealing way.
Features
Cutting Comedy and Discussing Diversity – Kabir Akhtar
When the winning editor was announced for Outstanding Single-Camera Picture Editing for a Comedy Series at the 2016 Emmy Awards ceremony, picture editor Kabir Akhtar, ACE, was stunned to hear his name.
Columns
The Making of ‘Groundhog Day,’ as Remembered by Music Editor Sally Boldt
Music Editor Sally Boldt recalls the making of ‘Groundhog Day,’ again and again and…
Features
How the Sound Team Made Those Engines Roar in Matt Damon and Christian Bale’s Race Car Movie ‘Ford v Ferrari’
“The cars became characters in their own right – big and bold and real.”
Features
How Kate Corbaley, Powerful Reader at MGM in the 1930s, Paved the Way for Today’s Hollywood Literary Scouts
“It all depended on how Kate Corbaley narrated the story.”
