Features
Leveraging a Career in Sound The ‘Artistry’ of Kenneth L. Johnson
Working on Leverage gave Kenneth L. Johnson his own leverage to push his own shop, Artistry in Sound, to the next level. […]
Features
Features
Soundbender: The Aural Adventures of Randy Thom
This movie is a playground for sound,” says Randy Thom, CAS, referring to director M. Night Shyamalan’s latest film, The […]
Features
Transformative Mixer: Greg P. Russell Strives for a Well-Balanced Soundtrack
With some 190-plus films to his credit, not to mention 14 Academy Award nominations, it is perhaps hard to believe that such a seasoned re-recording mixers Greg P. Russell, CAS,got his start in a modest recording studio. […]
Features
What if There Was an Oscar for Best Music Editing?
Whether they selected films or not, the music editors voiced a range of opinions about whether an award for Best Music Editing was even a good idea. Their perspectives on the question provided some insights into the nature of their work. […]
Features
EARLY TRAILBLAZERS
A compilation of early Oscar winning editors. […]
Features
Aural History: Soundmen Celebrated in Long-Forgotten Short
The Soundman is a unique document of how sound departments worked in the later days of studio system dominance. […]
Features
What’s Under the Hood
For both mixing and workstation technologies at Technicolor’s new post complex, Avid served as the primary hardware supplier. […]
Features
The Box That Shook Hollywood: Television’s Emergence
Legendary movie producer Sam Goldwyn wrote the quote, opposite, in an article for The New York Times Magazine in 1949, just as television was emerging as a major mass medium. […]
Features
A New Hue in Sound: Talent and Technology Coverage at Technicolor at Paramount
Representing one of the most exciting new sound post-production facilities to be built in Tinsel Town in several decades, the Technicolor at Paramount complex on Melrose Avenue in Hollywood comprises eight re-recording theatres, three ADR stages, a large Foley stage, eight sound design suites, 16 editorial suites, six DVD/ Digital New Media editing/encoding rooms and a pair of 7.1-channel HD video layback/ Transfer/QC rooms. […]
Features
New York’s Soundscape: East Coast Audio Facilities
This article looks at the East Coast sound contingent, which consists of a handful of post-production facilities that cater to the needs of independent filmmakers and directors based close to the Big Apple. […]
