
Alan Heim on ‘The Notebook’
“When you’re editing, you’re manipulating not only the material, you’re manipulating the audience” – Allan Heim […]
“When you’re editing, you’re manipulating not only the material, you’re manipulating the audience” – Allan Heim […]
How has societal change affected women in post production? […]
It’s not only the “when” of ADR that is being re-examined, but also the “how” and “where.” […]
Editors Guild members sometimes need to exercise their storytelling talents and share their insights on their craft in the print medium in addition to the audio- visual. This year to date, four books have been published by members of the Guild about their work. […]
During production for ‘The Polar Express’ Multiple creative processes, including editing, storyboarding, writing and designing, were occurring simultaneously. […]
Scheduled to unveil on September 2 in its 10-episode entirety, Season 2 of Netflix’s hit series Narcos is expected to prove as popular as the initial offering — and probably will be viewed in extended binge-watching sessions […]
Among the challenges of creating The Hateful Eight in “glorious 70mm,” as filmmaker Quentin Tarantino described it in his original screenplay, was the fact that it required an overall post workflow that was highly irregular in many respects — both a throwback to an earlier era and extremely complex at the same time. […]
Marvin Davis should have become a union organizer. Davis, a Field Representative in the Hollywood office of the Editors Guild, retired in February after a long and rewarding career in the film industry. […]
Kay Rose’s approach to sound editing has always been through story. […]
I recently traveled to Paris to mix ‘Le Divorce’. […]
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