Features
Santa Claus Conquers the Movies
We asked our erudite story analysts to weigh in on their favorites–– the films that left their mark, or ones that are revisited each year to mark the holiday season. […]
Features
Features
My Morning with Marlon: ADR Editor Vs. Superman’s Father
“I had no other recourse but to go to work…or pretend to…” – Norman B. Schwartz […]
Features
Once Upon a Time in the Animated West: ‘Rango’s’ Craig Wood
Gore Verbinski’s longtime collaborator, Australian editor Craig Wood, spoke with CineMontage to discuss how Verbinski’s live-action crew handled the challenges of animation. […]
Features
Superherology
A List of Comic Book Superhero Appearances in Cinema and Television. […]
Features
SUPERHEROES on the SILVER SCREEN An Origin Story
Perhaps some of these tales of superheroes can light a path for us to find the power within ourselves to effect some change and establish our own identities. […]
Features
THIS MONTH IN FILM HISTORY: Dysfunction Junction: Curse of the ‘Woolf’
Who’s Afraid of Virginia Woolf? reflected many of the anxieties of the buttoned-down 1950s and 1960s. […]
Features
On-Site Music Editors Cue the Tune from the Start!
There’s a revolution going on at JJ Abrams’ Bad Robot Productions and it has nothing to do with aliens, plane crashes or spies. It’s a change in the way music is being integrated into post-production. […]
Features
Teaching Sound Consciousness: The USC Years
Having retired after 45 years in the business, Don Hall, was asked to join the University of Southern California’s School of Cinema. “After I retired in January 1996, my wife Teddy and I started to do all the things retired people do,” Hall remembers. […]
Features
Oscar’s Women
Although nowhere near as well represented as their male counterparts in the Academy Awards pantheon, women in post-production nonetheless gained recognition for their craft and brought home some Oscar gold. […]
Features
How I Mixed Your Mother: Sitcom Sound Guys Charlie McDaniel & Bob Bradford Reveal Their Workflow
In the time-critical world of half-hour TV sitcoms, the seasoned team of re-recording mixer Charlie McDaniel and sound editor Bob Bradford has lead the way for the past 18 years. As McDaniel explains, “We have four hours — maybe six for the busier shows — to mix and print master 22 minutes of surround sound, and then prep the room for the next session.” […]
