For picture editors Roger Nygard, ACE, and Matthew Barbato, the current — and final — season of HBO’s Veep offers the opportunity to swim in the middle ground between comedy and drama that resonates with them both. […]
When colorist Mary Lee Parisi sits down with a show for the first time, she often focuses on the picture alone. “When you first get the tape, you kind of shuttle through to get an idea of what it’s about,” she says. […]
A report from the Spring 2019 Town Hall Meeting. […]
In late January, the LGBTQ Steering Committee presented a discussion at the Guild entitled “Working It Out: Being LGBTQ in Post-Production.” About 30 members participated and, even for a Diversity Committee event, the group was…well, diverse. […]
On March 23, 2019, the Motion Picture Editors Guild’s Women’s Steering Committee organized an evening celebration in the Guild’s Dede Allen Seminar Room honoring Women’s History Month. […]
CineMontage sat down with the editor of ‘Us’ to ask how the pieces of surrealist humor from multi-layered comedian-provocateur-writer-producer-director Jordan Peele are assembled on screen. […]
“I read scripts submitted for consideration, providing a synopsis and my analysis of whether they are a good bet for the studio — the pros and cons of premise, character, storyline, dialogue, etc.” […]
During the annual NAB Show, which ends its 2019 run at the Las Vegas Convention Center on Thursday, April 11, two leading innovators of picture editing platforms announced new updates and enhancements. […]
The Odyssey Collection: Complete is a library featuring more than 100,000 sound effects in close to 300 categories. The library was created from sound editors Mark Mangini and Richard L. Anderson’s private archive built-up over 30 years of working in the feature film and TV post-production industries. […]
Like most Foley artists, Gregg Barbanell, MPSE, aims for his work to go undetected by audiences. After all, footsteps should sound like they are emanating from the shoes of the actor who appears on screen, not the Foley artist behind-the-scenes, right? […]
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