Ken Burns has always acknowledged the large part Paul Barnes, his chief picture editor, has played in the smooth operation and artistic prominence of Florentine Films. […]
CineMontage learned of the editor’s appreciation for collaboration—be it with her mentors, directors or assistants. […]
by Robin Rowe One of the biggest challenges for assistant editor David Bilow––Joe Hutshing’s right-hand man––in the post-production work on Lions […]
The Motion Picture Editors Guild has selected veteran film editor Dede Allen, ACE, to be the 2008 recipient of the Guild’s prestigious Fellowship and Service Award. […]
My career has been filled with luck and many serendipitous moments that brought me to this space in time. […]
By the time I was 25, I was a store manager working long hours with little respect and a low level of creativity. I needed a change. […]
It’s a journey of marriage, with all its highs and lows and in-betweens. […]
Carol Littleton, ACE, has never been one to sit back and wait for something to happen. Instead, she makes things happen. […]
During a busy and productive career that spans 60 years in film and television, sound editor Don Hall––the 2011 recipient of the Editors Guild’s prestigious Fellowship and Service Award, to be presented to him at a ceremony scheduled for October 15––has collaborated with a number of prominent directors. […]
It’s more about a man’s journey and struggle against conventional wisdom than it is about Baseball,” says editor Christopher Tellefsen, A.C.E. The film he’s discussing is Moneyball, which opens September 23 through Columbia Pictures, and the man is Billy Beane, por- trayed by Brad Pitt. Based on Michael Lewis’ non-fiction book of the same name, it tells the story of Beane, a star high school athlete with a keen mind who played big league Baseball for five years, not particularly distinguishing himself. […]
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