Zach Staenberg on The ‘Matrix’ Trilogy
Zach Staenberg discusses the pressure of editing such eagerly awaited films, how he handled the huge numbers of visual effects shots, and the challenges he faced. […]
Zach Staenberg discusses the pressure of editing such eagerly awaited films, how he handled the huge numbers of visual effects shots, and the challenges he faced. […]
How has societal change affected women in post production? […]
The Editors Guild has added two new hires to its Los Angeles office. Joining the staff are Travis Harrison as Field Representative, and Harolena Gaines as Administrative Assistant to the Field Representatives (which also include Jacky Olitsky, Ann Hadsell, Jessica Pratt and Olie Amarillas). […]
Editors Guild members sometimes need to exercise their storytelling talents and share their insights on their craft in the print medium in addition to the audio- visual. This year to date, four books have been published by members of the Guild about their work. […]
Rawlings discussed his career in a telephone conversation with CineMontage. […]
Legendary movie producer Sam Goldwyn wrote the quote, opposite, in an article for The New York Times Magazine in 1949, just as television was emerging as a major mass medium. […]
His most memorable film? Don’t ask that of Paul Hirsch, ACE. The Academy Award-winning editor does not believe in the concept, and a quick perusal of the more than 40 films to his credit suggests the futility of that exercise: Is it Carrie (1976) or Star Wars (1977)? The Empire Strikes Back (1980) or Ferris Bueller’s Day Off (1986) — or something else? […]
After 40 years, Robert Altman’s satiric tapestry of American society looks more accurate than ever. […]
Many of the people who work in the production and post-production communities are, by their very nature, unsung heroes. […]
John Thornton Caldwell, a Professor of Cinema and Media Studies at UCLA, has published an up-to-date field study of contemporary production. […]
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