In 2004, after spending a decade working with Martin Scorsese and Thelma Schoonmaker, ACE, assistant editor Tom Foligno finally got his first chance to be an editor. It wasn’t in the cutting room, however, but on the big screen. […]
Warner Bros. released Sam Peckinpah’s The Wild Bunch, firing a warning shot to the older generation that they better change with the times or risk irrelevance. […]
Robert Wise’s quiet leadership was rooted in a seemingly easy going inner security, a palpable respect for others. […]
Seventy-five years ago, on August 14, 1940 — back when studios still owned theatres — The Great McGinty, written and directed by Preston Sturges, premiered at the Paramount Theatre in New York’s Times Square. […]
CineMontage recently caught up with Alan Heim to ask him about ‘The Cutting Edge’. […]
Robert Wise was truly a renaissance man of filmmaking. […]
The initial rock ‘n’ roll films produced in the mid-1950s are more interesting today as artifacts than as art. […]
To help us celebrate the 70th anniversary of the Motion Picture Editors Guild, our colleagues at the prestigious film journal Film Comment in New York have allowed us to reprint copy from their special 24-page section celebrating film editors […]
A very brief history of the Oscar Award for Sound Editing. […]
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