Columns
The Making of ‘Groundhog Day,’ as Remembered by Music Editor Sally Boldt
Music Editor Sally Boldt recalls the making of ‘Groundhog Day,’ again and again and… […]
Film
Web Exclusives
David Heinz and William Hoy Talk About Editing Harrison Ford — and a CGI Dog — in ‘The Call of the Wild’
“We were continually changing the picture, changing the scene, because sometimes we didn’t even have two continuous shots together.” […]
Web Exclusives
‘The Thrill Is the Idea:’ Paul Hirsch Reveals the Secrets Behind Editing ‘Star Wars,’ and Writing His New Memoir
“This is the most narcissistic thing a person could do.” […]
Features
How the Sound Team Made Those Engines Roar in Matt Damon and Christian Bale’s Race Car Movie ‘Ford v Ferrari’
“The cars became characters in their own right – big and bold and real.” […]
Features
How Kate Corbaley, Powerful Reader at MGM in the 1930s, Paved the Way for Today’s Hollywood Literary Scouts
“It all depended on how Kate Corbaley narrated the story.” […]
Committee News
Cut to Black: Glenfield Payne, Sound Editor and Re-Recording Mixer
“A Primetime Emmy Nominated Sound Editor knows for his work on ‘4 Little Girls’ doc, ‘Beasts of No Nation,’ and much more” […]
Committee News
Cut to Black: Leander Sales, Picture Editor
My intro to picture editing was “Do the Right Thing”!” […]
What Our Members Do
What Our Members Do: James Haley, Still Lab Technician
“In a billion years, the sun is going to burn out and every memory humanity holds will disappear into the void.” […]
Awards
Cathy Repola and Alan Heim to Receive Top Honors at ACE Eddie Awards
The Guild’s two top leaders are honored. […]
Web Exclusives
How Editor Anne McCabe Helped Create ‘A Beautiful Day in the Neighborhood’ with Tom Hanks
“The cutting room is a place where you can take time to look at, and think about, what is the crux of the movie and what is really going on here?” […]
