Since she discovered her passion for post-production while studying film at the University of California Santa Barbara, there was nothing up in the air about the career choice of Dana Glauberman, A.C.E. […]
Through several TV projects and five feature films, the relationship between editor Dan Lebental, A.C.E., and director Jon Favreau has evolved to the point where Lebental views himself as Favreau’s creative consultant when it comes to helping the director figure out exactly where his movies are going. […]
CineMontage interviewed the two editors as they were finishing work on ‘The Hangover Part III.’ […]
CineMontage spoke with Michael Tronick, A.C.E. as he was finishing work on ‘2 Guns’. […]
When Tatiana S. Riegel, A.C.E., set her mind to become a film editor, she went about it with the methodical planning to be expected from the daughter of an astronomy professor. […]
Cutting It in Hollywood: Top Film Editors Share Their Journeys by Mitchell Danton, ACE Introduction by Michael Kahn, ACE Hollywood […]
To be birthed from the world of director Robert Altman and his legendary editor Geraldine Peroni, ACE, is a unique experience for a young editor. […]
Originally intending to be an actor, Keith Fraase fell in love with behind-the-camera work while at the University of Texas at Austin. Then he thought he wanted to be a cinematographer, but eventually fell into an apprentice editor job. […]
Seventy-five years ago, on August 14, 1940 — back when studios still owned theatres — The Great McGinty, written and directed by Preston Sturges, premiered at the Paramount Theatre in New York’s Times Square. […]
Two new books offer decidedly different approaches to the art and craft of creating motion pictures. […]
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