Kayla Emter Talks Editing Eva Longoria’s Directorial Debut ‘Flamin’ Hot’
“My favorite part of this movie was that it allowed me to play. They handed me all the bells and whistles and said go for it, and find the balance.” […]
“My favorite part of this movie was that it allowed me to play. They handed me all the bells and whistles and said go for it, and find the balance.” […]
“I was first drawn to film editing because of how similar it felt to writing. It’s the part of the process where you give language to cinema.” […]
“Ask questions as much as possible.” […]
“History is seductive for me.” […]
“We both came to this with a lot of fear and anxiety about how to accomplish all of this technical wizardry.” […]
From Francois Truffaut to George Lucas to Paul Thomas Anderson, moviemakers have always plumbed their own lives for source material. […]
“It may be the hardest movie I’ve ever worked on.” […]
“It’s a bizarre, violent, funny movie, and, yes, it is exactly what I signed up for.” […]
“I loved helping the director execute their vision. I love being able to craft the story.” […]
“You never get used to receiving news of an Oscar nomination.” […]
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