It’s funny how it has taken director Edward Zwick and editor Steven Rosenblum, A.C.E., eight films together to return again to their thirtysomething TV roots from the 1980s. […]
If ever a single feature film illustrated the painstaking effort editors go through to bring disparate parts together to create a greater whole, David O. Russell’s The Fighter would be that film. […]
We asked our erudite story analysts to weigh in on their favorites–– the films that left their mark, or ones that are revisited each year to mark the holiday season. […]
Gore Verbinski’s longtime collaborator, Australian editor Craig Wood, spoke with CineMontage to discuss how Verbinski’s live-action crew handled the challenges of animation. […]
There’s a revolution going on at JJ Abrams’ Bad Robot Productions and it has nothing to do with aliens, plane crashes or spies. It’s a change in the way music is being integrated into post-production. […]
Editor Eric Zumbrunnen, A.C.E., first became known for cutting music videos, like Spike Jonze’s award-winning clip for Weezer’s “Buddy Holly” and Björk’s “It’s Oh So Quiet.” […]
Darrin Navarro came to editing via a familiar path: An interest in movies led him to film classes at Los Angeles City College. Within a week or two of seeing what could be done by manipulating the choice of moving images, he knew this was the job for him. […]
Fun. Catherine Apple keeps saying that word while discussing Hotel Transylvania, the animated feature from Sony Pictures Animation and Columbia Pictures, which she edited. […]
The charmed career of Tim Squyres, A.C.E., has evidenced one of the most enduring editor-director partnerships. […]
Happy 50th anniversary, James Bond; it’s time for your existential crisis. That’s what the 23rd Bond film, Skyfall, which opens November 9 through Columbia Pictures, is all about: 007 taking a fall (he’s accidentally shot in the pre-credit sequence and presumed dead) and enduring his deadliest mission yet. […]
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