Martin Cohen, Former Studio Post-Production Chief, Will Receive Fellowship Award
Onetime head of post-production at Amblin and Paramount will be honored at October 5 gala. […]
Onetime head of post-production at Amblin and Paramount will be honored at October 5 gala. […]
It’s well known, and often cited, that of all the filmmaking crafts, editing is the only one that did not exist before the advent of moving pictures. In fact, editing was actually created in the process of making those early films — first within the movie camera (or kinetograph or cinématographe) and then after the film was developed and printed, in the phase that became known as post-production. […]
One of the social media companies competing for my ever-diminishing supply of attention sends me almost daily e-mails imploring me to log onto its site so that I can build an online simulacrum of my professional network. Those e-mails egg me on with a declarative catchphrase: “It’s not what you know, it’s who you know.” […]
In late January, the LGBTQ Steering Committee presented a discussion at the Guild entitled “Working It Out: Being LGBTQ in Post-Production.” About 30 members participated and, even for a Diversity Committee event, the group was…well, diverse. […]
In 1966, there were worse places to grow up than Iowa. My hometown, Marion, was a ten-minute bus ride from Cedar Rapids with its department stores, book and record shops, and three movie houses. […]
You might say that Tommy Vicari, CAS, is the beneficiary of good timing. A few years after director Sam Mendes and composer Thomas Newman were the toast of the film world for the Academy Award-winning American Beauty (1999), Vicari was asked to serve as scoring mixer on their follow-up film, Road to Perdition (2002). […]
by Rob Callahan Last June, my column in these pages invoked the cinematic trope of the cliffhanger to describe a […]
Two thousand eighteen has been a year of great awakening for our Guild — an awakening as to who and what we really are as a labor union. We stood with our principles, refusing to abandon them in order to be socially accepted. […]
In a year that’s featured contentious debates over the #MeToo movement, ‘On the Basis of Sex,’ which opens on Christmas Day, is the most timely holiday present imaginable. […]
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