Web Exclusives
Sabine Hoffman Talks of Editing a Black and White Journey in Period Drama ‘Passing’
“’Passing’ is a story of many layers—it invites another look, a second viewing, and with every round you notice other aspects.” […]
Picture Editors
Features
‘Black Lady Sketch Show’ Editors Speak Out Following Historic Emmy Win
Daysha Broadway, ACE, who has led the picture editing team since Season One, was joined by Stephanie Filo, ACE, and Jessica Hernández, ACE, for Season Two. They’re the first all-women-of-color editing team to be nominated for and win an Emmy. […]
Web Exclusives
Benjamin Rodriguez Talks Editing Paul Schrader’s ‘The Card Counter’
Rodriguez, who has been working with Schrader since the mid-2010s, is a comparative newcomer. The Cleveland native made his feature film debut as the editor on what was Schrader’s 19th directorial feature, the explosively original noir comedy “Dog Eat Dog” (2016). […]
Features
Catrin Hedström on Editing the Sequel to the Slasher Classic ‘Candyman’
Hedström’s recent feature “Candyman,” directed by long-time collaborator Nia DaCosta, is a sequel to the 1992 slasher classic. […]
Columns
UNION MADE: Patrick McMahon on His Journey From the Rink to the Cutting Room
Patrick McMahon, ACE, cut many horror/suspense projects, including the original, “A Nightmare On Elm Street.” He’s also edited seven pilots (five of which went to series) and documentaries including HBO’s Emmy Award-winning “Baghdad ER.” […]
Awards
Emmys 2021: Complete List of MPEG Picture and Sound Winners at Creative Arts Ceremonies
MPEG nominees won for work on projects ranging from the dramas “The Crown” and “The Queen’s Gambit” to comedies such as “Ted Lasso” and “A Black Lady Sketch Show.” […]
Committee News
Emmys 2021: WSC Event Celebrates Categories and Top Women Nominees
It was all champagne and roses—er, champagne and Cheez-Its—for the Women’s Steering Committee (WSC) as it hosted its fourth annual Emmy celebration on August 22. […]
Web Exclusives
EditFest 2019: Here’s the Real Difference Between Cutting Scripted and Unscripted. (Hint: There Isn’t One.)
“There’s a misperception that if you cut scripted, you can’t cut reality.” […]
Features
How Myron Kerstein and His Team Captured the Emotional Highs of ‘In the Heights’
‘In The Heights’ Offers an Emotional Experience – And the Post Team Had to Find Ways to Capture It. […]
Features
How the Pandemic Led to the Editing Job of a Lifetime … in New Zealand
This was strike three for me — three shows in a row shut down unexpectedly. Two pre-pandemic and now this. […]
