
From ‘Renfield’ to ‘Perry Mason’: The Creative Journeys of Editor Mako Kamitsuna
‘It’s all about making this movie fly, transform and transport audiences.’ […]
‘It’s all about making this movie fly, transform and transport audiences.’ […]
“It’s a story of a stepmom and a stepdaughter bonding. They’re totally unbonded at the beginning and they need to be a family by the end. That’s what I connected to.” […]
Marion was known for her dedication to bringing the director’s vision to the screen, and she was fiercely loyal to the many varied directors she worked with. […]
“A movie’s like an album. It has to flow properly in a lot of ways, and you have to be able to dance to the rhythm of the dialogue and the rhythm of the scenes and motion.” […]
“I’m a film and TV editor with experience in drama, horror, action and comedy.” […]
By Patrick Z. McGavin Through his collaborations with Judd Apatow, Adam McKay and Paul Feig, Brent White, ACE, is […]
“You’re spending as much time with them as [with] your partner or your wife or your husband.” […]
The Guild Says Goodbye to an Accomplished Editor, Dedicated Leader, and Passionate Mentor By Kristin Marguerite Doidge It was 1968 […]
“My favorite part of this movie was that it allowed me to play. They handed me all the bells and whistles and said go for it, and find the balance.” […]
“I started to recognize that this was a portrait of Korean Americans and Asian Americans in general that we hadn’t seen before.” […]
©2016-2025 Motion Picture Editors Guild