“He didn’t like cuts being in predictable places. In other words, one of the things that you often strive for in editing is to make the editing disappear: somebody finishes the line and the next person speaks, and you cut to it right away. Billy was always most interested in making unpredictable cuts that, in his mind, were better.” […]
By Kristin Marguerite Doidge Just as the protagonists in “Aristotle & Dante Discover the Secrets of the Universe” find […]
“When I read the pilot script, I was struck by how important it is that we understand the story is still relevant today.” […]
“I’ve always loved cutting arguments between couples, or arguments in general.” […]
‘It’s all about making this movie fly, transform and transport audiences.’ […]
“It’s a story of a stepmom and a stepdaughter bonding. They’re totally unbonded at the beginning and they need to be a family by the end. That’s what I connected to.” […]
Marion was known for her dedication to bringing the director’s vision to the screen, and she was fiercely loyal to the many varied directors she worked with. […]
“A movie’s like an album. It has to flow properly in a lot of ways, and you have to be able to dance to the rhythm of the dialogue and the rhythm of the scenes and motion.” […]
“I’m a film and TV editor with experience in drama, horror, action and comedy.” […]
By Patrick Z. McGavin Through his collaborations with Judd Apatow, Adam McKay and Paul Feig, Brent White, ACE, is […]
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