A Guide to Putting the ‘Pro’ in Pro Tools
If you’re a Pro Tools instructor, ‘Audio Production Basics With Pro Tools | First’ provides a guided, formal course of study that will turn beginners into Pro Tools engineers. […]
If you’re a Pro Tools instructor, ‘Audio Production Basics With Pro Tools | First’ provides a guided, formal course of study that will turn beginners into Pro Tools engineers. […]
Cinemontage talked to Robert Knudson in his office on Seward Street for this two-part interview. […]
Robert Knudson talks about schedules, ‘eye-ear coordination’ and drugs and alcohol in the ’60s. […]
CineMontage interviewed Gerry Humphrey in his office at Twickenham Film Studios where he is the sound director, and where he has worked since 1963. […]
Production mixer Chris Munro, sound editor Victoria Rose Sampson and re-recording mixer Leslie Shatz share their different points of view about sound. […]
The Simpsons Movie will not feel like most animated films of recent years, what with its 2-D production and an almost minimalist soundscape. […]
Director Jonathan Demme put his talented sound design and editing crew up to a Dogme 95-style challenge for his latest feature, Rachel Getting Married. […]
The prevailing wisdom within Hollywood seems to be that a successful franchise needs a fresh start every few years to ensure a contemporary perspective and, hence, appeal to a newer generation of filmgoers for whom previous versions may seem passé. […]
Unlike most guilds in the film industry (the Screen Actors Guild excepted), the Motion Picture Editors Guild looks forward to its membership garnering multiple Academy Awards every year. […]
This year’s Oscar nominees in the Sound Mixing category include an offering that profiles a conflicted long-gun wielder, one that focuses on a sadistic music teacher, a zany theatrical comedy, a journey across space and time, and a character overcoming adversity. […]
©2016-2021 Motion Picture Editors Guild