Features
Robert “Buzz” Knudson: An interview by Leslie Shatz Part 1
Cinemontage talked to Robert Knudson in his office on Seward Street for this two-part interview. […]
Sound
Features
Robert “Buzz” Knudson: An interview by Leslie Shatz Part 2
Robert Knudson talks about schedules, ‘eye-ear coordination’ and drugs and alcohol in the ’60s. […]
Features
The First Independent: An interview with Legendary Sound Editor Kay Rose Part 2
Kay Rose talks about the relationships between mixers and sound editors, her role as an independent and the power of sound to create drama and shape story.
Features
Mixing in England
CineMontage interviewed Gerry Humphrey in his office at Twickenham Film Studios where he is the sound director, and where he has worked since 1963. […]
Features
Roll, Cut, Print
Production mixer Chris Munro, sound editor Victoria Rose Sampson and re-recording mixer Leslie Shatz share their different points of view about sound. […]
Features
‘Cinderella Man’s’ Dream Team Makes a Sound Fit For Ron Howard
The ‘Cinderella Man’ editorial crew all demonstrate a synchronization of minds as smooth as the high-tech machinery in front of them. […]
Features
Sounds Independent: New York Mixers and Editors Work with New Filmmakers
For post sound professionals an independent film is defined largely by little more than faith in their own creative abilities and a desire to help clients. […]
Features
Altman’s Sound Theory
“Sound has been a very important element in my work. Consequently, it’s something I’ve always paid a lot of attention to.” – Robert Altman […]
Features
Brando Talks! and Superman Listens
“Brando’s voice and presence serve as a memory bridge back to that time.” – Craig Berkey supervising sound editor/sound designer […]
Features
Mmmm… Popcorn: ‘The Simpsons’ Goes to the Movies
The Simpsons Movie will not feel like most animated films of recent years, what with its 2-D production and an almost minimalist soundscape. […]
