Sounds Independent: New York Mixers and Editors Work with New Filmmakers
For post sound professionals an independent film is defined largely by little more than faith in their own creative abilities and a desire to help clients. […]
For post sound professionals an independent film is defined largely by little more than faith in their own creative abilities and a desire to help clients. […]
“Sound has been a very important element in my work. Consequently, it’s something I’ve always paid a lot of attention to.” – Robert Altman […]
“Brando’s voice and presence serve as a memory bridge back to that time.” – Craig Berkey supervising sound editor/sound designer […]
The Simpsons Movie will not feel like most animated films of recent years, what with its 2-D production and an almost minimalist soundscape. […]
Director Jonathan Demme put his talented sound design and editing crew up to a Dogme 95-style challenge for his latest feature, Rachel Getting Married. […]
C5’s 20-year history as one of the top houses for feature film post in the city continues to grow. […]
Mixing teams work best when the chemistry is good, the working style is compatible and the size of the job calls for a team approach. […]
The prevailing wisdom within Hollywood seems to be that a successful franchise needs a fresh start every few years to ensure a contemporary perspective and, hence, appeal to a newer generation of filmgoers for whom previous versions may seem passé. […]
“There it was, ticking after 150 years, and we recorded it. We were able to use that during the few, brief moments where Lincoln was actually handling his watch.” – Ben Burtt […]
Robert “Bobby” Fernandez was never in any doubt about what he wanted to be while growing up. “My mother used to take me every week to see a movie in downtown Los Angeles,” he recalls. “I always wanted to be a scoring mixer — even before I understood the job.” […]
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