Features
Cutting MOS for an SOB: Adventures in the ADR Trade
“On this film the director is always right…even when he isn’t.” – unnamed director […]
Sound
Columns
Jon Johnson on ‘Breakdown’
You might call Jonathan Mostow’s action thriller ‘Breakdown’ a cautionary road movie. The 1997 Paramount Pictures release centers on a car trip that takes an unexpected detour. […]
Features
Sounds Like the 1930s: The Mixing of ‘Public Enemies’
Re-recording mixers Kevin O’Connell and partner Beau Borders have been working tirelessly since last October on mixing Michael Mann’s period gangster crime drama Public Enemies. Mann’s passion for detail and authenticity has been the hallmark of the film’s sonic nuances, according to O’Connell. […]
Web Exclusives
What Do ‘Electric Dreams’ Sound Like?
“Our original idea for ‘Philip K. Dick’s Electric Dreams’ originated five years ago, when we discussed the idea of an anthology series of the author’s short stories with diverse points of view” […]
Columns
Stephanie Lowry on ‘61*’
Even if she was not a lifelong fan of the New York Yankees, music editor Stephanie Lowry would have been proud of having worked on the made-for-television movie ’61*.’ […]
Awards
Cinema Audio Society Announces CAS Awards Nominees
The Cinema Audio Society announced the nominees for the 54th Annual CAS Awards for Outstanding Achievement in Sound Mixing for 2017 in seven categories. “The CAS would like to congratulate all our nominees for their fine work in 2017″ […]
Columns
Catherine Harper on ‘Lost Highway’
Foley artist Catherine Harper, MPSE, remembers the first time she encountered filmmaker David Lynch. In 1996, she was about to start creating Foley sounds for Lynch’s upcoming film, ‘Lost Highway.’ […]
Industry
Breaking Traditional Sound Barriers
As on previous occasions, Mix magazine’s fourth annual Sound for Film & TV conference was held at Sony Pictures Studios in Culver City in cooperation with the Cinema Audio Society (CAS) and Motion Picture Sound Editors (MPSE). […]
Web Exclusives
A Passion for Sound: Mix Magazine’s Annual Film & TV Conference
On Saturday, September 17, Mix magazine presented its third annual Sound for Film and Television conference at Sony Pictures Studios in Culver City, in cooperation with the Cinema Audio Society (CAS) and the Motion Picture Sound Editors (MPSE). […]
