Web Exclusives

Conference on Cutting:
A Report from EditFest LA

On a Saturday morning in late August, a crowd streamed down Dopey Drive on the Disney lot into the Disney Main Theatre, filling it to capacity, for EditFest LA 2018, the 11th annual edition of this celebration of the art and craft of editing presented by the American Cinema Editors (ACE). […]

Columns

Christy Richmond on ‘My Life’

Over the course of her long and accomplished career, assistant editor Christy Richmond has attended her share of screenings for studio executives. Sometimes, the higher-ups respond favorably; other times, their reactions are less than what the filmmakers might have expected. […]

Features

Space Farce:
The Exploratory Workflow of ‘The Orville’

Despite being buried under various deadlines while cutting ‘The Orville,’ Seth MacFarlane’s sci-fi dramedy series that has its second season premiere in December on Fox, the show’s core editorial team still found time recently to convey the zeitgeist of what they consider to be an exceptionally collaborative editing room. […]

Features

30 Years on Sunset

Over the summer and fall of 1988, the Motion Picture Editors Guild in Hollywood, then IATSE Local 776, made two very auspicious hires to its staff. On July 25, Adriana Iglesias (now Iglesias-Dietl) became assistant bookkeeper and, on October 17, Lisa Berniker (now Dosch) was named administrative assistant. […]

Features

The Eyes and Ears of Reality TV

Logging and transcribing are key responsibilities in the making of reality TV, as well as documentaries and occasionally other televised fare, but few know the subtle differences between the two and what the purveyors of these crafts actually do. […]