Committee News Cut to Black: Hugh Robertson, Picture Editor February 29, 2020 First African American to be nominated for an Oscar in Film Editing for “Midnight Cowboy” […]
Committee News Cut to Black: Hortense “Tee” Beveridge, Picture Editor February 29, 2020 Tee Beveridge’s editorial film career is important evidence of African Americans working in the early days of filmmaking. […]
Web Exclusives David Heinz and William Hoy Talk About Editing Harrison Ford — and a CGI Dog — in ‘The Call of the Wild’ February 28, 2020 “We were continually changing the picture, changing the scene, because sometimes we didn’t even have two continuous shots together.” […]
Features Nat Sanders on Editing ‘Just Mercy’: Lost Sleep and a Delayed Honeymoon to Tell an ‘Emotional and Raw’ Tale February 28, 2020 “I lost the most sleep and had the most revelations in the shower while working on this film.” […]
Committee News Cut to Black: Charles Little II, Picture Editor February 28, 2020 Credits include unscripted and scripted series, currently “9-1-1: Lone Star” […]
Committee News Cut to Black: Joi McMillon, Picture Editor February 27, 2020 The first Black Woman to be nominated for an Oscar for Best Achievement Film Editing for “Moonlight,” and won the 2017 Independent Spirit Award […]
Committee News Cut to Black: Jesse Dodd, ADR and Foley Re-recording Mixer February 26, 2020 Credited on over 276 projects, including “Jurassic World” and was nominated for a 2020 CAS Award for “Veep” […]
Committee News Cut to Black: Greg Hedgepath, Supervising Sound Editor February 25, 2020 Credits include “Straight Outta Compton” and “Queen & Slim,” and currently working on “Coming 2 America” […]
Committee News Cut to Black: Kimmy Gorden, Video Editor February 24, 2020 Editor of Vice News Tonight and a leader in the campaign for the Guild’s first union contract at Vice Media […]
Committee News Cut to Black: Ernest Leif Boyd, Assistant Picture Editor February 23, 2020 First credit was “The Manchurian Candidate” […]