An informative panel discussing the workflow for visual effects in the editing suite, as part of the ongoing “Partnerships in the Editing Room” seminar series, which examine editorial workflow in television and the relationships of the editorial department and post producers. […]
This year’s Oscar nominations in the Sound Mixing category are for movies that focus on arduous journeys and tasks, some leavened with comedic moments. […]
Since 2010, Rizzoli & Isles has been entertaining television audiences with the snappy banter between its two leads, Detective Jane Rizzoli (Angie Harmon) and Medical Examiner Dr. Maura Isles (Sasha Alexander), and the complex murder mysteries they solve. […]
“I thought this would end fast, and I’m shocked that I’m still doing it.” – Mo Henry […]
The independent movie is infused with the iconic sounds of the 1960s group and shows the in-studio process. […]
When nonlinear editing systems first appeared nearly 25 years ago, a lot of people scratched their heads. Who could edit with a picture you could barely see and a hard drive that couldn’t hold even a reel of images, on a new-fangled personal computer that was likely to crash? […]
When sound designer/supervising sound editor Dane A. Davis, MPSE, attended the audience preview for The Matrix (1999), he — as well as directors Andy and Lana Wachowski (then known as the Wachowski Brothers) — had no idea what to expect. […]
In the MAY-JUN 14 issue of CineMontage, writer Mel Lambert surveyed sound designers, sound editors and supervising sound editors about the Digital Audio Workstation add-ons that they use to get the job done. In this issue, we’ve asked picture editors what their plug-in choices are. […]
For over 100 years, the unsung heroes of the film industry have been the thousands of men and women who work in film laboratories. […]
Robert C. Jones grew up in the film industry; his father, Harmon Jones, was a feature film editor (Gentleman’s Agreement, Panic in the Streets, among others) and later TV director (Rawhide, Perry Mason and Death Valley Days). […]
©2016-2021 Motion Picture Editors Guild
