Status of Women in Post-Production
How has societal change affected women in post production? […]
How has societal change affected women in post production? […]
Conflict between labor and management is nothing new. The period of post-WWII prosperity in which US union density reached its peak was decidedly not an era of labor peace. […]
It’s not only the “when” of ADR that is being re-examined, but also the “how” and “where.” […]
The Editors Guild has added two new hires to its Los Angeles office. Joining the staff are Travis Harrison as Field Representative, and Harolena Gaines as Administrative Assistant to the Field Representatives (which also include Jacky Olitsky, Ann Hadsell, Jessica Pratt and Olie Amarillas). […]
In ‘The Last Waltz,’ released by United Artists 40 years ago in April 1978, director Martin Scorsese trained his cameras on what was intended to be the last concert of the Band at San Francisco’s Winterland Ballroom. […]
The Guild’s Dede Allen Seminar Room was transformed into “Dede’s Disco” on a Saturday night, April 21, as members experienced an exciting evening of salsa dancing, Cuban food and socializing at Salsa Night Fever. […]
Given the veritable obstacle course of a workflow that the 22-strong picture editorial crew on American Ninja Warrior endures to get the hit sports/reality show to air each week, perhaps the next concept in competition-oriented reality TV programming should be about just that. […]
Thanks for the wonderful article on my friend Monty DeGraff (“Monty the Mentor,” ‘CineMontage’ Q1 2018). Lynne and Monty have been a part of my wife’s and my circle of friends for 20 years — sharing many dinners, talking shop and generally enjoying each other’s company. […]
Few Americans, even those who work with motion picture sound, have heard of the Tagefon and Shorinofon systems, but readers interested in the intricacies of how sound first meshed with cinema can learn about these machines and the artists who used them. […]
While two displays sound better than one, there were a few problems with this solution, the biggest being the physical gap between them. Yes, it was possible to take a window or a palette and stretch it across both displays, but it was practically impossible to work that way.
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