I am both technical director and crew chief. As technical director, I am the co-pilot and the director is the pilot. Our team of 30 brings producers’ scripts to life through pictures and sound that best show and tell the story. […]
Since starting her career, picture editor Shannon Baker Davis’ work schedule has almost always been crowded. On both coasts, most of it was in unscripted TV. […]
Shortly after its theatrical release, having barely made back its cost, the film was pulled from distribution, and quickly forgotten. In the decades that followed, it never quite acquired the noble status of a cult classic, nor was it ridiculed as one of the Golden Turkeys — the worst pictures ever made. It simply disappeared from view. […]
Zach Staenberg discusses the pressure of editing such eagerly awaited films, how he handled the huge numbers of visual effects shots, and the challenges he faced. […]
Adorned in every color out in the galaxy, gorgeous drag queens strutted the runway with pizzazz and style in the Editors Guild’s Dede Allen Seminar Room, in clips on screen, though not in person, on a Saturday evening in early April. […]
Creative Filmmaking reminded me of things I’ve known for years, yet introduces elements completely new. […]
Her emotional and gutsy style on films established her reputation as a premier actor’s editor. […]
The process of cutting movies for airlines remains subject to certain time-honored rules. […]
“When you’re editing, you’re manipulating not only the material, you’re manipulating the audience” – Allan Heim […]
How has societal change affected women in post production? […]
©2016-2021 Motion Picture Editors Guild
